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A Look into Experimental Typography

15 Nov

To succeed as a graphic designer, you must be willing to take risks. This is a cutthroat industry where only the most creative survive. As such, the sooner you begin experimenting with your design elements and following your creative instincts, the more likely you will be to build up a solid client base.
One of the best ways to improve your work is by experimenting with your typography usage. In fact, in most design work, typography is the main attention grabber with the other design elements supporting that typography. The following are four ways you can begin experimenting with typography usage to improve your designs.

1. Go BIG or go Home

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If you want your message to grab your audience’s attention and slap them in the face, then big is the way to go. Big, bold and thick typography attracts attention and demands to be heard. However, when experimenting with this typography trend, you must be strategic in the use of big lettering. Sometimes, using large typography creates an unintended interpretation and can even offend audience members. Therefore, test out this experimental usage on friends and colleagues before introducing the design to the general public.

2. Play with Emotions

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Colors can stir various emotions within the human mind. As such, a great way to experiment with your typography usage is to incorporate rich, vibrant colors that speak specifically to the emotions you want to call out in your audience members. Red is punchy, loud, and can stir up feelings of anger and lust, while blue is more soothing and calm and can play to the audience’s caring side. To be most effective with your use of experimental color, use it strategically and sparingly. Few things are worse than a color explosion that sends the senses of your audience members into overload.

3. Using Textures

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People enjoy viewing designs with interactive elements. While using this interactive element in print design can sometimes be difficult, one option is to incorporate textures into your typography usage. This textural effect can either be authentic, such as by using grainy paper, or it can be simulated by using a design program to create the effect of texture.

4. Improve on the Past

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The history of graphic design holds many examples of the risks taken by early graphic designers. By looking to the past, you may discover ways to take those old- school trends and place a modern spin on them. Sometimes a mixture of the old and new is just what is needed to start a typography revolution. At the very least, these early designs can rev up your creative side.

The more you experiment with typography usage, the increasingly interesting methods you will find to draw in audience members and portray your intended message. You have chosen a career field that requires immense creativity and the willingness to take risks. Therefore, don’t be afraid to try new things. While using experimental designs poses certain risks, it also provides the chance to set your work apart from the design crowd and become a trend setter.
Sonia Mansfield is the content editor for PsPrint and editor of PsPrint Blog. PsPrint is an online printing solutions company, which you can follow on Twitter and Facebook.

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A Look into Experimental Typography

 
 

Batman Incorporated

15 Nov

Batman Incorporated

 
 

Batman Incorporated

15 Nov

Batman Incorporated

 
 

Amazing Brick Machine Rolls Out Roads Like Carpet

15 Nov

pavestones, brick road, green roads, hardscapes, green infrastructure,

Brick roads are beautiful and durable, but we don’t see them too often due to the effort it takes to produce them. What once was a labor-intensive, back-breaking job has now become a snap with this automatic Dutch paver laying machine, called the Tiger-Stone. The device rolls out a beautiful and sustainable hardscape, creating an instant road anywhere it travels. While the process may look magical, the secret lies in a smartly designed gravity-based system.


Read the rest of Amazing Brick Machine Rolls Out Roads Like Carpethttp://www.inhabitat.com/wp-admin/ohttp://www.inhabitat.com/wp-admin/options-general.php?page=better_feedptions-general.php?page=better_feed


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Your Top 10 World Heritage Sites

15 Nov
We asked, you answered. A few weeks ago, we had an overwhelming response when we asked our readers, Facebook fans, and Twitter followers to nominate their favorite World Heritage sites for our new online travel guides. Well the guides have been launched today, and include the top ten picks from our readers. And the winners are:

Photo: Philippine Rice Terraces
Photo: Kukulkan Pyramid in Chichen Itza
mompox-columbia-cemetery_28013_600x450.jpg

Photo: Phoenix Islands

Photo: Borobudur Temple Compounds
Photo: Petra

Photo: People around the Exterior of the Taj Mahal

Photo: Great Barrier Reef

Photo: Angkor

Photo: Machu Picchu
Thanks to those of you who cast a ballot for your favorite site. Be sure to check out our entire collection of 30 World Heritage guides, which we will be expanding upon in the coming months. We'd love your feedback, so let us know what you think!

[World Heritage Travel Guides]



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Instant Previews: Under the hood

15 Nov

If you’ve used Google Search recently, you may have noticed a new feature that we’re calling Instant Previews. By clicking on the (sprited) magnifying glass icon next to a search result you see a preview of that page, often with the relevant content highlighted. Once activated, you can mouse over the rest of the results and quickly (instantly!) see previews of those search results, too.

Adding this feature to Google Search involved a lot of client-side Javascript. Being Google, we had to make sure we could deliver this feature without slowing down the page. We know our users want their results fast. So we thought we’d share some techniques involved in making this new feature fast.

JavaScript compilation

This is nothing new for Google Search: all our Javascript is compiled to make it as small as possible. We use the open-sourced Closure Compiler. In addition to minimizing the Javascript code, it also re-writes expressions, reuses variables, and prunes out code that is not being used. The Javascript on the search results page is deferred, and also cached very aggressively on the client side so that it’s not downloaded more than once per version.

On-demand JSONP

When you activate Instant Previews, the result previews are requested by your web browser. There are several ways to fetch the data we need using Javascript. The most popular techniques are XmlHttpRequest (XHR) and JSONP. XHR generally gives you better control and error-handling, but it has two drawbacks: browsers caching tends to be less reliable, and only same-origin requests are permitted (this is starting to change with modern browsers and cross-origin resource sharing, though). With JSONP, on the other hand, the requested script returns the desired data as a JSON object wrapped in a Javascript callback function, which in our case looks something like

google.vs.r({"dim":[302,585],"url":"http://example.com",ssegs:[...]}).

Although error handling with JSONP is a bit harder to do compared to XHR (not all browsers support onerror events), JSONP can be cached aggressively by the browser, and is not subject to same-origin restrictions. This last point is important for Instant Previews because web browsers restrict the number of concurrent requests that they send to any one host. Using a different host for the preview requests means that we don’t block other requests in the page.

There are a couple of tricks when using JSONP that are worth noting:

  • If you insert the script tag directly, e.g. using document.createElement, some browsers will show the page as still “loading” until all script requests are finished. To avoid that, make your DOM call to insert the script tag inside a window.setTimeout call.
  • After your requests come back and your callbacks are done, it’s a good idea to set your script src to null, and remove the tag. On some browsers, allowing too many script tags to accumulate over time may slow everything down.

Data URIs

At this point you are probably curious as to what we’re returning in our JSONP calls, and in particular, why we are using JSON and not just plain images. Perhaps you even used Firebug or your browser’s Developer Tools to examine the Instant Previews requests. If so, you will have noticed that we send back the image data as sets of data URIs. Data URIs are base64 encodings of image data, that modern browsers (IE8+, Chrome, Safari, Firefox, Opera, etc) can use to display images, instead of loading them from a server as usual.

To show previews, we need the image, and the relevant content of the page for the particular query, with bounding boxes that we draw on top of the image to show where that content appears on the page. If we used static images, we’d need to make one request for the content and one request for the image; using JSONP with data URIs, we make just one request. Data URIs are limited to 32K on IE8, so we send “slices” that are all under that limit, and then use Javascript to generate the necessary image tags to display them. And even though base64 encoding adds about 33% to the size of the image, our tests showed that gzip-compressed data URIs are comparable in size to the original JPEGs.

We use caching throughout our implementation, but it’s important to not forget about client-side caching as well. By using JSONP and data URIs, we limit the number of requests made, and also make sure that the browser will cache the data, so that if you refresh a page or redo a query, you should get the previews, well... instantly!

By Matías Pelenur, Instant Previews team
 
 

We know what you’re thinking about

15 Nov
12 3 4 5
(Origin - Ruminations)
 
 

Collection a Day Project by Lisa Congdon

15 Nov

Ever since I was little I always loved collecting things. I was pretty big into collecting stamps growing up which I'm sure will earn me a small fortune as soon as I have the courage to sell it (probably never). But anyhow, you can just imagine my giddyness when I came across this project by San Francisco artist and illustrator Lisa Congdon where she photographs/draws/paints one collection a day for a full year, from January 1st 2010 to December 31st 2010.

Since I was a young girl, I have been obsessed both with collecting and with arranging, organizing and displaying my collections. This is my attempt to document my collections, both the real and the imagined. The practice of collecting and documenting collections is as old as the hills. I want onlookers here to know that I do not profess to be doing anything new or unique or ingenious. I am embarking on this project because I love my collections, and I want to document them in a way that makes sense to me, and share them with whoever might be interested in looking at them.

Check out Lisa's blog for the full project and let me know what you think via twitter!

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

Collection a Day Project by Lisa Congdon

About the author

I am Amanda Macedo - a student, photography enthusiast, and lover of life. I eat, sleep and breathe art, and I hope to share with you some of my thoughts and findings here at Abduzeedo as I further my discovery of graphic design. You can also find me on Twitter: @amlight

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10 Incredibly Useful CSS Tools

15 Nov

CSS Typeset

css-typeset

TypeTester

Typetester

CSS Frame Generator

css-frame-generator

CSS Grid Builder

css-grid-buider

YAML Builder

yaml-builder

JotForm

Jotform

W3C CSS Validator

w3c-css-validation

Format CSS

format-css

CSS Redundancy Checker

css-redundency-checker

Spiffy Corners

spiffy-corners

 
 

Tiger-Stone: Paving Machine

15 Nov

Screen shot 2010-11-15 at 3.36.30 AM

Tiger-Stone is a Dutch made paving machine that uses gravity and an electric motor to print stone and brick roads. It’s a six meter wide machine that is capable of laying 300 square meters of road a day. The printing width is adjustable from the width of a road to as narrow as a bike lane or walkway. There are no moving parts within the machine, it simply uses a shelf that is fed bricks and they are automatically sorted and packed together by gravity, each stone will associate with the link previously made. There is a quiet electric motor that moves the machine along a bed of sand creating consistent results with a simply operated paver. via Tiger-Stone

Screen shot 2010-11-15 at 3.34.07 AM

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Screen shot 2010-11-15 at 3.32.21 AM

Screen shot 2010-11-15 at 3.37.26 AM

Screen shot 2010-11-15 at 3.37.54 AM

Screen shot 2010-11-15 at 3.35.45 AM

Screen shot 2010-11-15 at 3.38.51 AM