RSS
 

Posts Tagged ‘graphic design’

Fundamentals of Web Design Layout: Part 1

28 Sep

Layout is the foundation of all visual design, yet it commonly sits back seat to "sexier" design techniques like depth, color and typography. When layout is ignored, designs become fundamentally unusable, rendering a website useless to both users and stakeholders.

To respect the role of layout requires a solid understanding of what it is.

Layout Defined

The classic definition of layout is "The way in which parts of something are arranged." In web design specifically, layout is "The way elements, content and graphics are organized on the page." A key distinction here is the substation of "arranged" for "organized." Arranging elements without organizing them doesn't create a layout, it creates visual vomit.

The purpose of a layout is organization, more specifically layout uses organization to:

  • Convey relative importance of content
  • Group similar content and separate unrelated
  • Optimize visual flow
  • Establish a basic visual hierarchy

Each aspect of layout might not be compelling alone, but together they make or break a design.

When Good Layouts Go Bad

A great layout makes design look easy. Every element fits so well within the design, you would never consider putting them anywhere else. The "logical" organization of elements makes navigating the website easy. Users don't need to think where desired content is located, the layout tells them. If users are looking for important content, they know to look in the primary content area, typically located in the area with the most space. If they are looking for something less important, like navigation, they look for secondary or tertiary areas which are smaller and placed in less prominent locations.

Because layouts are purely visual, the best way to understand what works and what doesn't is through example.

Well Organized Layouts

Information Architects

The Information Architects website, while minimal to the point of being plain, has a beautiful designed layout. The layout is so predominate, it's actually the strongest design element.

The design makes no attempt to hide the underlying grid structure. Ample whitespace makes it easy to identify where each section within the layout starts and stops. The few graphical elements that are on the page receive maximum attention because they heavily contrast the otherwise white and text heavy design.

In terms of layout, the first element a user encounters is the top navigation which is broken up into four columns (1). That same four column structure is retained at the bottom where the footer navigation lies (2). By using the same column structure, users can easily extrapolate that the footer elements are also navigation. This occurs based on principles of consistency. Elements which look alike are thought as related, elements that look different are considered to be unrelated.

The primary area is bold, and large, equipped with a massive photo and supported with text which is broken up into three columns (3). Immediately below lives a news section, which for all intensive purposes is a single column. By shifting that column to the right and confining it to a smaller column whitespace and legibility are maximized (4).

Why this Layout Works

The primary goal of any layout is to clearly organize and locate information. The Information Architects website does so beautifully. By observing the layout you can decipher what's most important and in what order. Larger, higher up elements are clearly most important and as elements become less importance they shrink and are moved further down the page. The grid keeps everything organized neatly, everything falls into place in a logical way and your focus is never divided between two elements that seem equally important.

In this design, the layout is fitted the content.

Mark Boulton Design

The Mark Boulton Design website also employs a well executed layout. Like Information Architects, the design uses a grid to clearly organize content on the page. Unlike Information Architects, the design is bold, vibrant and graphical in nature. This demonstrating that using a grids and organization doesn't mean the site must be graphically stark.

The page header is placed at the very top of the page and is larger than anything else by a factor of at least 100. This clearly communicates it's the most important element (1). The header content is case studies, intentionally telling the user that above else, they should be aware of the companies previous work. Once you travel past the header, there is a full column tagline describing what the company does (2). Because the tagline is smaller and placed further down the page, it's apparent that Mark Boulton Design feels previous work is more compelling.

Below the tagline resides four equal width columns (3). The content with in those columns seem unrelated, but their size and placement indicates they are of equal importance. The ample whitespace makes it easy to read and digest content within a column, if you choose to do so.

Why this Layout Works

It doesn't feel like it, but there is a lot of content on this page: Case studies, navigation, a logo, the mission statement (or tagline), a brief company description, news, contact information and a portfolio section... phew! Because the content is laid out in a logical, well organized way it is easy to read and comprehend. The layout tells you what to look at and in what capacity.

With a quick glance you know what's most important (the header), almost as important (the tagline) and that everything else is equally important. Additionally, by using four equal width columns you can easily scan the headline of each to determine if the column contains the content you are seeking. If not, you continue scanning until you find the one that does.

Again the design puts content together like a puzzel. Everything fit's into place perfectly.

What's Next

Hopefully these examples illustrate what a well designed layout is composed of. Specifically, the layout organizes the content on the page based on it's importance and relationship. More important content is placed in large containers and located at the top of the page. Less important content is contained in smaller cells and placed lower on the page. Similar content (or content that's related) is grouped together which communicates their relationship.

In our next installment we will cover how to design your own layout in the most effective way.

Read the Whole Series

Fundamentals of Web Design Layout Part 1

Fundamentals of Web Design Layout Part 2

 
 

Fundamentals of Web Design Layout: Part 1

28 Sep

Layout is the foundation of all visual design, yet it commonly sits back seat to "sexier" design techniques like depth, color and typography. When layout is ignored, designs become fundamentally unusable, rendering a website useless to both users and stakeholders.

To respect the role of layout requires a solid understanding of what it is.

Layout Defined

The classic definition of layout is "The way in which parts of something are arranged." In web design specifically, layout is "The way elements, content and graphics are organized on the page." A key distinction here is the substation of "arranged" for "organized." Arranging elements without organizing them doesn't create a layout, it creates visual vomit.

The purpose of a layout is organization, more specifically layout uses organization to:

  • Convey relative importance of content
  • Group similar content and separate unrelated
  • Optimize visual flow
  • Establish a basic visual hierarchy

Each aspect of layout might not be compelling alone, but together they make or break a design.

When Good Layouts Go Bad

A great layout makes design look easy. Every element fits so well within the design, you would never consider putting them anywhere else. The "logical" organization of elements makes navigating the website easy. Users don't need to think where desired content is located, the layout tells them. If users are looking for important content, they know to look in the primary content area, typically located in the area with the most space. If they are looking for something less important, like navigation, they look for secondary or tertiary areas which are smaller and placed in less prominent locations.

Because layouts are purely visual, the best way to understand what works and what doesn't is through example.

Well Organized Layouts

Information Architects

The Information Architects website, while minimal to the point of being plain, has a beautiful designed layout. The layout is so predominate, it's actually the strongest design element.

The design makes no attempt to hide the underlying grid structure. Ample whitespace makes it easy to identify where each section within the layout starts and stops. The few graphical elements that are on the page receive maximum attention because they heavily contrast the otherwise white and text heavy design.

In terms of layout, the first element a user encounters is the top navigation which is broken up into four columns (1). That same four column structure is retained at the bottom where the footer navigation lies (2). By using the same column structure, users can easily extrapolate that the footer elements are also navigation. This occurs based on principles of consistency. Elements which look alike are thought as related, elements that look different are considered to be unrelated.

The primary area is bold, and large, equipped with a massive photo and supported with text which is broken up into three columns (3). Immediately below lives a news section, which for all intensive purposes is a single column. By shifting that column to the right and confining it to a smaller column whitespace and legibility are maximized (4).

Why this Layout Works

The primary goal of any layout is to clearly organize and locate information. The Information Architects website does so beautifully. By observing the layout you can decipher what's most important and in what order. Larger, higher up elements are clearly most important and as elements become less importance they shrink and are moved further down the page. The grid keeps everything organized neatly, everything falls into place in a logical way and your focus is never divided between two elements that seem equally important.

In this design, the layout is fitted the content.

Mark Boulton Design

The Mark Boulton Design website also employs a well executed layout. Like Information Architects, the design uses a grid to clearly organize content on the page. Unlike Information Architects, the design is bold, vibrant and graphical in nature. This demonstrating that using a grids and organization doesn't mean the site must be graphically stark.

The page header is placed at the very top of the page and is larger than anything else by a factor of at least 100. This clearly communicates it's the most important element (1). The header content is case studies, intentionally telling the user that above else, they should be aware of the companies previous work. Once you travel past the header, there is a full column tagline describing what the company does (2). Because the tagline is smaller and placed further down the page, it's apparent that Mark Boulton Design feels previous work is more compelling.

Below the tagline resides four equal width columns (3). The content with in those columns seem unrelated, but their size and placement indicates they are of equal importance. The ample whitespace makes it easy to read and digest content within a column, if you choose to do so.

Why this Layout Works

It doesn't feel like it, but there is a lot of content on this page: Case studies, navigation, a logo, the mission statement (or tagline), a brief company description, news, contact information and a portfolio section... phew! Because the content is laid out in a logical, well organized way it is easy to read and comprehend. The layout tells you what to look at and in what capacity.

With a quick glance you know what's most important (the header), almost as important (the tagline) and that everything else is equally important. Additionally, by using four equal width columns you can easily scan the headline of each to determine if the column contains the content you are seeking. If not, you continue scanning until you find the one that does.

Again the design puts content together like a puzzel. Everything fit's into place perfectly.

What's Next

Hopefully these examples illustrate what a well designed layout is composed of. Specifically, the layout organizes the content on the page based on it's importance and relationship. More important content is placed in large containers and located at the top of the page. Less important content is contained in smaller cells and placed lower on the page. Similar content (or content that's related) is grouped together which communicates their relationship.

In our next installment we will cover how to design your own layout in the most effective way.

Read the Whole Series

Fundamentals of Web Design Layout Part 1

Fundamentals of Web Design Layout Part 2

 
 

Social Media Propaganda Posters by Aaron Wood

31 Jul

Who would you join up with to win the “war”?

Social Media Propaganda Posters by Aaron Wood

Love these social media propaganda posters from Aaron Wood.

Social Media Propaganda Posters by Aaron Wood

Social Media Propaganda Posters by Aaron Wood

Social Media Propaganda Posters by Aaron Wood

You can buy them on Etsy. Found via Google+.


Share This: Twitter | Facebook | Discover more great design by following Design Milk on Twitter and Facebook.
© 2011 Design Milk | Posted by Jaime in Art | Permalink | 1 comment
 
 

NASA Graphic Standards Manual — 1976

19 Jul

NASA Graphic Standards Manual

As some of you already know, I’m a little obsessed with finding vintage design materials, especially graphics manuals like this one for the 1976 Montreal Olympics. So you can imagine how far my jaw dropped when I saw this 1976 NASA Graphics Standards Manual. Created by design firm Danne & Blackburn in 1975, this manual outlines the proper use of, in my opinion, one of the best brand identities of the last century. One lucky soul has managed to get some hi-res scans of the some of the pages. The hunt has officially begun.

 
 

CSS3 Transitions with custom easing functions

03 Jul

Morf.js - CSS3 Transitions with custom easing functions. Details in this post.

 
 

Honest Logos by Viktor Hertz

03 May

Honest Logos by Viktor Hertz

Come on, let’s be real. That’s what Viktor Hertz is saying with his redesigned “Honest Logos.”

Honest Logos by Viktor Hertz

Honest Logos by Viktor Hertz

Honest Logos by Viktor Hertz

Honest Logos by Viktor Hertz

Honest Logos by Viktor Hertz

See the rest in Viktor’s portfolio on Behance.


Share This: Twitter | Facebook | Discover more great design by following Design Milk on Twitter and Facebook.
© 2011 Design Milk | Posted by Jaime in Art | Permalink | 1 comment
 
 

26 Beautiful Web Design Agency Portfolios

06 Apr
Web design is a growing profession popular amongst new-age businesses. This places powerful marketing power into the hands of digital artists and graphic designers for the web. Thus we have seen the development of dozens of design agencies and branding teams. The collection of agency designs below illustrates a bright picture of the current scape [...]
 
 

Historically Hardcore

22 Mar

These made me laugh so much that I had to share.

Historically Hardcore

Created by artist Jenny Burrows and copywriter Matt Kappler during school for their portfolios, these fake ads for a famous museum are spot on awesome. And well done. Unfortunately, that major museum was not a fan. Jenny had to change the text at the bottom to read “Museums” and change the logo. You can read all about that here.

Historically Hardcore

Historically Hardcore


Share This: Twitter | Facebook | Discover more great design by following Design Milk on Twitter and Facebook.
© 2011 Design Milk | Posted by Jaime in Art | Permalink | 2 comments
 
 

Mental Disorder posters

12 Mar

One of our readers just sent this in: British designer Patrick Smith (a.k.a. Graphic Patrick) made some pretty nice minimalist posters about mental disorders.

Apparently, Smith was doing some research about mental health when he came across a list of mental disorders and got inspired.

My personal pref goes out to Agoraphobia. Yours? (Thx, Stefano!)

minimalissimo-minimalist-posters-mental-disorders-OCD-500x707 minimalissimo-minimalist-posters-mental-disorders-narcolepsy-500x707 minimalissimo-minimalist-posters-mental-disorders-DID-500x707 minimalissimo-minimalist-posters-mental-disorders-agoraphobia-500x707 minimalissimo-minimalist-posters-mental-disorders-depression-500x707 minimalissimo-minimalist-posters-mental-disorders-genderIdentityDisorder-500x707 minimalissimo-minimalist-posters-mental-disorders-anorexia-500x707
 
 

Making Tidal Waves: A look at 10 ‘whales’ of the creative industry

25 Jan

The world at large is infatuated by micro-economies. You see it in fashion, in the ‘Web 2.0′ startup world of Silicon Valley and in the MASSIVE yet tiny film production world in Los Angeles. The industries of world business have always been followed by a tide, so to speak, of smaller sub groups. These groups contain their own eco systems of big and small ‘fish’ who provide food for (or feed on) each other to grow, evolve and survive.

The online design and creative community is no different. It has its own cultural and financial ecosystems which are even made of several micro groups within themselves. The consumers of Envato’s marketplaces, the attendees at Carsonified events, Behance’s network, Smashing Magazines readership, Buy-Sell Ad’s advertising and Sitepoints Products are all members of different overlapping groups of a vibrant micro-economy.

But even for the ‘sharks’ of these micro-economic oceans, it can be a helpful to gain some perspective every now and then by swimming past a whale.

Screen shot 2011-01-24 at 11.23.57 PMfrom National Geographic Mini-site

Versace, Gucci, Marc Jacobs and the other ‘whales’ in fashion, set the direction year after year for each season’s fashions. Similarly, the creative world as a whole, moves with waves made by the industry giants.

From the mediums you might offer a client (Web, Print, Mobile Apps) or the essential positioning of the latest design style (can anyone say ‘letterpress’), all the way down to where the expected place for a ‘contact us’ link will go. One only has to look at the similarity in campaigns each year at the ‘Webby Awards’ or watch the commercials on TV, Hulu or passing by you on the side of a bus, to see the influence these creative ‘whales’ have on our day to day lives and ultimately our professions.

So for perspective sake, lets take a quick look at 10 ‘whales’ of the creative industry:

TBWA

Company: TBWA
Website: http://www.tbwa.com
Principals: Tom Carroll, Jean-Marie Dru, Lee Clow, Denis Streiff, Keith Smith, Laura Coots
Location(s): 100 different countries
Notable clients: Absolut, Jameson, Kahlua, Nissan, Pedigree, Twix, McDonalds, Pfizer, P&G, Apple, Infiniti, Nicorette, Adidas, Alli, Energizer
Est. Number of Employees: 11,000 people operating in 274 agencies
Public/Private: Public
Est. Annual Revenues: $1 Billion+

RGA-Logo

Company: R/GA
Website: http://www.rga.com
Principals: Chris Colborn, Bob Greenberg, and Nick Law
Location(s): New York, London, San Francisco, Sao Paulo, Singapore, Chicago
Notable clients: NIkeID, NIke Football, Verizon wireless, Ad Council, Nokia, American Eagle,
Est. Number of Employees: 640+
Public/Private: Private
Est. Annual Revenues: Unknown

Saatchi
Company: Saatchi & Saatchi
Website: http://www.saatchi.com
Principals: Kevin Roberts
Location(s): 140 offices – 80 countries
Notable clients: Bel, Deutsche Telekom/T-Mobile, Diageo/Guinness, Emirates Airline, General Mills, Mead Johnson, Novartis, Procter & Gamble, Sony Ericsson, Toyota/Lexus, Visa Europe.
Est. Number of Employees: 6500+
Public/Private: Unknown
Est. Annual Revenues: Unknown

razorfish
Company: Razorfish
Website: http://www.razorfish.com
Principals: Bob Lord, Lee Sherman, Andreas Gahlert
Location(s): Seattle – 20+ offices worldwide
Notable clients: AT&T Audi Ben & Jerry’s Best Buy Capital One Carnival Cruise Lines Choice Hotels Condé Nast MillerCoors Dell Disney EMC Corporation Forest Labs Investors.com JCPenney Levi Strauss & Co. Kraft Limited Brands
Mattel McDonald’s Mercedes-Benz USA Microsoft/MSN NFL Nike Olympus Oxfam PNC Bank Purina Ralph Lauren Safeco Samsonite Standard Life Bank Starwood Hotels & Resorts Toshiba Travel Channel Victoria’s Secret
Est. Number of Employees: 2000+ worldwide
Public/Private: Unknown
Est. Annual Revenues: Unknown

BBH-Logo
Company: BBH
Website: http://www.bartleboglehegarty.com
Principals: Greg Anderson, Emma Cookson, Joe Da Silva
Location(s): Global: Europe, Asia Pacific, North America, Latin America, China, India
Notable clients: Axe, Google, Johnnie Walker, Lego, NYC & Co., Smirnoff, Sprite, Vaseline, Ally, British Airways, Westin hotels & resorts
Est. Number of Employees: 235+
Public/Private: Private
Est. Annual Revenues: Unknown

AKQA-Logo
Company: AKQA
Website: http://www.akqa.com
Principals: Stuart Sproule, Guy Wieynk, Jason Warnes, David Bentley, Leo Chu
Location(s): San Francisco, Amsterdam, Berlin, London, New York, D.C., Shanghai
Notable clients: GAP, Smirnoff, Visa, Volkswagen, Warner Brothers, Unilever, Lipton, Ferrari, Nike, Fiat, USPS, Xbox 360
Est. Number of Employees: 550+
Public/Private: Private
Est. Annual Revenues: Unknown

CBP
Company: Crispin Porter + Bogusky | CP+B
Website: http://www.cpbgroup.com
Principals: Chuck Porter, Jeff Hicks, Andrew Keller, Rob Reilly, Jeff Steinhour, Eric Lear, Jeff Behjamin, Winston Binch
Location(s): USA, Canada, Europe
Notable clients: Microsoft, Burger King, SAS, Kraft, Baby Carrots, Dominos, Old Navy, Best Buy, Philips, Open, Canadian, Coca Cola Zero, Scania, Telia
Est. Number of Employees: 1,000+
Public/Private: Public
Est. Annual Revenues: $1.6 billion in billings

Print

Company: Smith Harmon – Responsys
Website: http://www.responsys.com
Principals: Dan Springer, Scott Olrich, Andrew Priest, Don Smith, Chris Paul
Location(s): San Bruno, San Francisco, Chicago, New york, Denver, Seattle, UK, Melbourne, Sydney, Denkmark, India
Notable clients: Avis Europe, Continental Airlines, Deutsche Lufthansa, Dollar Thrifty, Lands’ End, LEGO, Men’s Wearhouse, PayPal, Qantas, Southwest Airlines, StubHub, and UnitedHealthcare.
Est. Number of Employees: 308
Public/Private: Private
Est. Annual Revenues: Unknown

Print

Company: BBDO
Website: http://www.BBDO.com
Principals:
Location(s): 287 offices in 79 countries
Notable clients: Gillette, Braun, P&G/Tide, AT&T, Bank of Ireland, BMW, Bridgestone
Est. Number of Employees: 15,000+
Public/Private: Public
Est. Annual Revenues: $1.1 billion ’09

Print

Company: Goodby Silverstein & Partners
Website: http://www.goodbysilverstein.com
Principals: Rich Silverstein, Jeff Goodby, Mark Rurka, Rich Dizon
Location(s): San Francisco
Notable clients: Netflix, Chevy, Specialized, Logitech, Intuit, Frito Lay, Sprint, Doritos, Adobe, Comcast, NBA, HP., Wii, Cheetos, Yahoo, Kayak, Häagen Dazs, Dickies
Est. Number of Employees: 200+
Public/Private: Private
Est. Annual Revenues: Unknown

A quick disclaimer… although many of the companies listed have their roots in Advertising and may be considered ‘traditional advertising companies’, the emergence of web media has blurred the lines of traditional media, so much so, that there are fine lines and nuanced differences between Advertising, Media production, Design & Marketing companies/firms. Most of these listed do all of the above.

Sponsored by

Made By Tinder

Advertise on Fuel Brand Network.
Fuel Brand Network 2010 cc (creative commons license)



Making Tidal Waves: A look at 10 ‘whales’ of the creative industry