A4estudio have designed the Codina House in Mendoza, Argentina.
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Visit the A4estudio website – here.
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A4 Estudio designed the Sobrino House in Mendoza, Argentina.
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Facing a complex project where the house is also a workplace, we proposed an organized level where all the living uses and human relations are possible: relax, shelter, contemplation and work.
In a topographic operation, all the family activities converges in a common volume that lands on the highest level of the ground and rises 2.5 m from the lowest part. This operation proposes the entry to the house underneath all these activities, stripping at this point the natural slope. Square floor plan, perimeter activities program in relation to the best sunshine light and views, and the circulations related to a central patio that strips the natural slope of the site, structure an eccentric and dens spatiality, where the path ways became the heart of the house. At the top of the house, a system of inverted beams and concrete tensors hold the corbels, exposing the structure as part of the identity of the house.
In this way, a family life in an elevated and intimate plan that supports different uses and senses is possible.
Visit the A4 Estudio website – here.
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Seeley Architects have designed the Citriodora House in the town of Anglesea, Australia.
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Citriodora House by Seeley Architects
‘Citriodora’ is a holiday retreat set amongst a stand of beautiful Lemon scented gums, near Australia’s famed Great Ocean Road in Anglesea, Victoria. It is one of a number of inspired beach houses that Seeley Architects have designed over the past 10 or so years in this small coastal holiday hamlet.
The name ‘Citriodora’ is derived from the botanical name of the beautiful trees that dominate the northern corner of the property.
Inspired by the affects of the coastal winds, the form of the roof gently rolls, mimicking the shape of the wind pruned coastal vegetation. There is both simplicity and complexity in this building with large negative spaces offering views to the sky, battened screens proving visual privacy to the neighbours and two massive concrete walls forming a prehistoric spine through the middle. A thermal heat soak for the interior that mediates the diurnal temperature variations within the house.
This beautiful dwelling has been designed to maximise the opportunities offered by the site, with a character that respects its locality and environment.
The layout of the house is centred around a raised east facing living platform capturing coastal views and connections into the treetops. It is reminiscent of an adult’s tree house.
The approach to this house is a gentle rise gently from the street. It is sited in the lee of a small hill and nestled closely between two neighbouring houses.
Upon entering the house, you are greeted by massive in-situ concrete walls that form the staircase spine and dominate the entry space. This floor is the teenager’s zone with a swathe of bunks, a TV nook and a pool table for the obligatory holiday competitions.
Rising upward into the kitchen – living area, one’s eye is taken by the breathtaking views along the coastal cliffs and Southern ocean. Separated from the living zone by a protected courtyard deck and a generous internal void, lays the master bedroom, study, bathroom and a guest bedroom. The ceiling that sweeps generous over the entire upper level is gently formed from plywood and is reminiscent of the hull of an upturned yacht.
Wrapping around the exterior of the house is sustainable grown timber boards, fixed with maritime bronze nails, resisting the harsh coastal conditions and gradually weathering to a soft driftwood grey, a reference to the Citriodora tree’s bark.
This elegantly simple house uses a minimal palette with an aesthetic pared back to the essentials. It will gradually develop a patina over time, further blending with the grey-green of the site vegetation and providing a positive response to its impressive loci.
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Visit the Seeley Architects website – here.
Photography by Zoe Economides, John Walker, and David Seeley
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Parra + Edwards Architects have designed the Apolo 11 House in La Reina, Santiago, Chile.
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Apolo 11 House by Parra + Edwards Architects
Apollo 11 is a shop house in the middle of a grove of elms at the foot of the Andes, on the outskirts of the city of Santiago. She was baptized with that name because it is designed like a ship that landed in a forest without touching it at any time and will undertake his departure, leaving the forest intact. “Apollo 11″ also for the laboratory conditions: This house functions as architecture workshop, recording studio and rehearsal room acoustic and electric music. It is a capsule that support in full the life of his crew, a family of architects and musicians.
The program is organized in two levels from a rectangular 6 x 9 mts. in 6 mts. high. The rectangle, for the Japanese is the only element that does not distort the nature, is a clean element that tends to disappear. The simplicity of the box also helps the idea of ??occupying the forest floor minimum while maximizing the heat inside the ship as it landed in a place that is very cold in winter. With two levels of heating is easy and is oriented in their bedrooms to the north with large windows that take the stored heat energy and heat through the glass. In summer the foliage of the elms control acts as natural sunlight.
The box is a simple grid structure coated metal plates on their skin for plywood of 18 mm. glass plates and allowing full and empty that resemble the dark and light fragments produced in the foliage of trees. The skeleton of this structure is always visible, with the metal profiles metaphor from the trunks and branches of this new forest and wood planes of the leaves of the tree. That’s why their facades are indefinite and change in different seasons of the year through mobile web pages are the thermal checked in and out depending on what is happening in the forest itself.
Inside the ship, the inhabitant is a guest, a silent spectator of the nature of the forest in all its dimensions, as a temporary crew capsule observation ephemeral aware of their status in a place that belongs to him, but that is not property.
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Visit the Parra + Edwards Architects website – here.
Photography by Rodrigo Avilés
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Guz Architects have completed the Fish House in Singapore.
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Description of the Fish House by Guz Architects:
This modern tropical bungalow encapsulates the essence of living in the hot and humid climate of Singapore by creating open spaces which encourage natural ventilation and offer residents views to the ocean.
The main design concept is to create a house which has close relationship with nature and this is achieved by having a swimming-pool linking the house with the landscape and ultimately visual connections with the sea. The idea of connection is reinforced by having the basement level media-room with a u-shaped acrylic window which allows diffuse natural light in and also views out into the pool. The curved roofs, which symbolizing the sea waves, also emphasize the idea of the nearby sea. These are almost totally covered with thin bendable photovoltaic panels supplying enough energy to the house, while the remaining area is used as a green roof giving residents some outdoor leisure spaces.
Fish House is a modest and yet luxurious residential design which gives residents opportunities to live in harmony and comfortably with nature.
Visit the Guz Architects website – here.
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BAK Architects have completed the JD House, located in the forest of Mar Azul, in the Argentinian province of Buenos Aires.
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Visit the website of BAK Architects – here.
Photography by Gustavo Sosa Pinilla
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Mount Fuji Architects Studio have designed the PLUS house in Shizuoka, Japan.
Full description after the photos….
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Description of the PLUS House by Mount Fuji Architects Studio:
The site locates on mountainside of Izu-san, where Pacific Ocean can be looked down on the south. The untouched wilderness, covered with deciduous broad-leaved trees such as cherry trees and Japanese oaks, gives little level ground. But we saw faint glimmer of architectural possibility along the ridge.
The architecture would be used as villa for weekends. I didn’t want to just form the undulating landscape dotted with great trees as normal, nor design an elaborate architecture bowing down to the complex topography. What sprang to my mind is a blueprint for an architecture which is perfectly autonomous itself, at the same time seems to emerge as an underlying shape that the natural environment has been hiding. It’s abstraction of nature, to say. The architecture was realized by crossing two rectangular parallelepipeds at very right angles. The lower one contains private rooms and bathroom, and sticks half of the body out to existing narrow level ground. The upper one incorporates salon and kitchen, and lies astride the lower one and the mountain ridge. It almost seems like an off-centered cross pinned carefully on natural terrain. One axis of the cross stretches toward the Pacific Ocean on south, and the other, the forest of Japanese oak and some white birch on west. The rooms in the lower structure and terrace on it enjoy broad vista of the sea and blue sky. And gentle shade of natural forest embraces the space in the upper one. Water-polished white marble (cami #120) was chosen as interior finishing material. It glows softly like Greece sculptures to blend blue light from the south and green light from the west gradationally, thus creates delicate continuous landscape of light which suggests the character and usage of the space. Exterior is also finished with white marble. The surface get smoother as it approaches to the southern/western end till it takes mirror gloss (cami #1000) at the ends. The southern end of white cross melts into the blue of sky and sea, and the eastern end to the green of forest. Abstraction is nothing to conflict with nature here. Carved out of nature, it never stops being a part of nature itself, however highly abstracted. Never relativizes the nature with its foreignness, nor generate contradiction to settle for being “artificial nature†by giving up being abstract and mimicking the nature.The abstraction inspired by Mother Nature defines the nature itself, and still, stays natural. That’s what I wanted from this abstraction and architecture.
Visit the website of Mount Fuji Architects Studio – here.
Photography by Ken’ichi Suzuki
Mount Fuji Architects Studio have designed the PLUS house in Shizuoka, Japan.
Full description after the photos….
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Description of the PLUS House by Mount Fuji Architects Studio:
The site locates on mountainside of Izu-san, where Pacific Ocean can be looked down on the south. The untouched wilderness, covered with deciduous broad-leaved trees such as cherry trees and Japanese oaks, gives little level ground. But we saw faint glimmer of architectural possibility along the ridge.
The architecture would be used as villa for weekends. I didn’t want to just form the undulating landscape dotted with great trees as normal, nor design an elaborate architecture bowing down to the complex topography. What sprang to my mind is a blueprint for an architecture which is perfectly autonomous itself, at the same time seems to emerge as an underlying shape that the natural environment has been hiding. It’s abstraction of nature, to say. The architecture was realized by crossing two rectangular parallelepipeds at very right angles. The lower one contains private rooms and bathroom, and sticks half of the body out to existing narrow level ground. The upper one incorporates salon and kitchen, and lies astride the lower one and the mountain ridge. It almost seems like an off-centered cross pinned carefully on natural terrain. One axis of the cross stretches toward the Pacific Ocean on south, and the other, the forest of Japanese oak and some white birch on west. The rooms in the lower structure and terrace on it enjoy broad vista of the sea and blue sky. And gentle shade of natural forest embraces the space in the upper one. Water-polished white marble (cami #120) was chosen as interior finishing material. It glows softly like Greece sculptures to blend blue light from the south and green light from the west gradationally, thus creates delicate continuous landscape of light which suggests the character and usage of the space. Exterior is also finished with white marble. The surface get smoother as it approaches to the southern/western end till it takes mirror gloss (cami #1000) at the ends. The southern end of white cross melts into the blue of sky and sea, and the eastern end to the green of forest. Abstraction is nothing to conflict with nature here. Carved out of nature, it never stops being a part of nature itself, however highly abstracted. Never relativizes the nature with its foreignness, nor generate contradiction to settle for being “artificial nature†by giving up being abstract and mimicking the nature.The abstraction inspired by Mother Nature defines the nature itself, and still, stays natural. That’s what I wanted from this abstraction and architecture.
Visit the website of Mount Fuji Architects Studio – here.
Photography by Ken’ichi Suzuki
Spanish architects A-cero have sent us their latest completed project, a house in the “La Finca†development in Pozuelo de Alarcon (Madrid).
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Description from A-cero:
The structure of this new house is made of clear volumes, straight lines and simples shapes. The house’s front is made of marble travertino and there are many windows in it. Both elements give a lot of lightness to the house.
It has a 1.600 m2 surface and three floors (basement, ground and high floor). The structure adapts itself to the slope ( 4000 m2) where the house is. The garage and service spaces are in the basement, while the most public spaces (lounge, dining room, living room …) are in the first floor. Bedrooms and more private rooms are in the high floor. A-cero has designed also a 80 m2 spectacular and geometric swimming pool. It harmonizes with the clean architecture of this A-cero project.
Visit the A-cero website – here.
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